E3: Inversion

A handful of gimmicks may not be enough to keep Inversion from being just some other cover-based hitman.

"Gravity" is the keyword in Saber Interactive's Inversion: High gravity, low gravity, and zipp gravity. These concepts effect the way you lash out enemies, the room you turn the world and the way the world moves around you.

On with the tried-and-true Gears of War button layout and standard commands, Eversion introduces the ability to pull wires gravity with the right bumper (via the Gravlink). By switching between high and low gravity, the player can cause enemies and objects to float up or fall down.

Summoning high gravity can expose enemies concealment in cover, while low gravity can be used as a method of slowing enemies down. You can also snatch objects and enemies suspended by high gravity and throw them outward. The two powers buns be combined, agitated enemies into the sky and then moving them at the ground with a reduced gravity attack.

The glum, lava ridden caverns and barren cities of Inversion doesn't help to separate it from similar title. However, the shifting level design does – and judgement by the game's promotional materials, it seems Namco is aware of this. Many levels feature areas where the center of gravity and playing field shift, causing the cap or wall of the cave to become the trading floor. Aiming at enemies as you go from one rise up to the next can buoy be disorienting. Thankfully your grenades provide a line-of-jutting that will direct it toward whichever opencast you purport it.

These sections along with the game's uninspired zero sobriety areas – which really are just a series of platforms you hang on and jump between – call in Dead Quad. The problem isn't that all of Inversion's ideas have been done before; the problem is that they have been finished better. The minutia of combat (aiming, melee and clinging to cover) leaves something to be desired. The amount of tactical options that the gravity manipulation provides makes for some fun firefights, but the gimpy's lack of brush u and originality is apparent in multiplayer.

Only squad deathmatch was demoed at the show, but the full game will contain a "Rex of the Hill" variant called Hourglass. In those way, an opposing team about capture the enemy's base. Afterwards that is realised, the centre of gravity shifts 180 degrees and the roles of assaulter and protector switch.

From the generic character design to the dark, chromatic environments, Inversion ISN't making a strong argument for why gamers should care to play it in a post-Gear of War 3 world, in February.

See entirely our coverage directly from the show floor.

https://www.escapistmagazine.com/e3-inversion/

Source: https://www.escapistmagazine.com/e3-inversion/

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